Wednesday 22 October 2014

Moving to an island

I heard an archival interview recently with a couple that moved from the city to one of the islands off the coast of Ireland decades ago, and were introduced to a very different world. All their neighbours, they discovered, lived in isolated self-sufficiency, taking care of their own gardens and animals, and few people used phones. Yet they had a powerful sense of community, helping each other out through the year and sharing whatever they had when a neighbour stopped by.

When they first moved there, they tried to send out invitations to a gathering, and found it took weeks; they had to walk to each house in turn, since no one used phones. At each house people would invite them in and insist they stay for dinner, and pile their arms full of whatever was ripe. At the time the rhubarb was ready, so they walked away with bushels of rhubarb from each house.

A tank of petrol lasted them months, since people had cars, but there was almost nothing to do with them.

Monday 20 October 2014

Kim chee at home


Originally published in the Kildare Nationalist newspaper.

Few peoples on Earth are as devoted to their national dishes as Koreans are to kim chee. Few Irish have had this amazing dish, but few things have a richer or more powerful flavour, and it can be made easily at home with everyday ingredients. I don't feel compelled to stick reverently to their ingredients, and I've been able to adapt it to whatever is ready in the garden at the moment.

Kim chee can be best described as a kind of Asian sauerkraut, a spicy pickled cabbage with ginger, garlic and other spices. It’s made with the same process that creates dill pickles – the technical term is lacto-fermentation – using a salty brine to preserve the food and give it a tangy bite. It can keep for as long as a few months, but can be ready in as little as a week.

To make kim chee, you will need:

• A kilo of cabbage from your garden – Chinese cabbage or bok choi is the traditional choice for Koreans, but regular Irish cabbage will do just fine, or even leaves from other brassicas.
• 60 millilitres of salt.
• 15 millilitres of grated garlic – if you don’t have a garlic press or hand grater, just run it through the smallest holes of the cheese grater.
• Five millilitres of grated ginger
• 15 millilitres of chopped hot pepper
• 100 grams or so of chopped radishes
• 100 grams of scallions or chives

To start, chop the cabbage into quarters, remove the cores, and slice into strips about five centimetres wide. Mix the cabbage and the salt in a large bowl, and with your hands massage the salt into the cabbage for a few minutes. Some people like to use gloves for handling the salt again, especially if you have sensitive skin. Then find a plate smaller than the top of the bowl, and place it on the cabbage to keep it in the salt. You might want to put some jars on top – I used pickle jars evenly around the edges – to weigh it down. Leave it there for about two hours.

At the end of that time, the cabbage will be soft and sitting in a brine of its own juice and some salt. Take the cabbage out and drain in a colander, and clean the bowl to use again. Then you make the kim chee paste, mixing the grated garlic, grated ginger, and chopped pepper together in a bowl. Some recipes, I find, call for using flour to thicken the paste -- I've tried it with and without, and haven't found it to make much difference.

Some people put in a bit of sugar at this point, some a bit of soy sauce, some a bit of seafood flavour like fish sauce or oyster sauce. Chop up the radishes and scallions and add them to the mix.

Finally, mix the vegetables and paste with the cabbage, and massage them together as you did with the salt. There are hot peppers in there, so some people like to crack out the gloves again at this part. Pack the cabbage into a clean glass jar – I used a pickle jar – pressing down until the brine rises to just barely cover everything.

Leave a bit of space at the top, and seal the lid – not too tightly, though, in case gas needs to escape. Check every day or two to loosen the lid just a crack, to make sure it’s not going to explode, and then when the gas has escaped tighten it a little again. Let the mix stand for at least a week, and give it a try.

This recipe uses only minimal spice compared to the Korean original, but if it’s still too much, use less next time. The best thing about this recipe is that, when people here grow cabbages, they tend to use the head only and throw the outer leaves away – they are tough and would not be good to chew. Kim chee, though, can be made from some outer leaves of cabbages, and so less goes to waste.

Wednesday 15 October 2014

The Postman

After Mass I talked with our postman, who lamented the changes he was seeing in Ireland.

“People used to gather together every night around here, and in the village, and now they’re all watching the telly,” he said. “It’s getting way too commercialised.” “With the older people I can do what I always used to do, and just open the door to their home and walk in.

‘Hello Paddy,’ I would say, and they’d say ‘Tom! How’re you keeping?’ I ask if they need anything from the store, so when I would bicycle to the houses around here I would bring some food or newspapers too.

We’re all going to be old someday ourselves, God willing, so it’s just respect.”

Why don’t you deliver the post by bicycle any more, I asked?

“Ah, they’re making me take a car,” he said. “And people get big deliveries these days, to a house full of stuff. Not the same as the old days. But the older people still greet me the same as always.”

Saturday 11 October 2014

The old pharmacy


For many decades chemists – what we would today call pharmacists or druggists – created their own materials; they ground, distilled and filtered chemical essences from stones and herbs, using the elegant glassware that has served as shorthand for science ever since. From 1847 until 2009, the chemist for the neighbourhood around Trinity College was Sweny’s, mentioned by James Joyce and since then a place of pilgrimage for his readers.

When it closed its doors as a pharmacy five years ago, they tiny shop – smaller than some toilets I’ve seen -- was purchased by a group of volunteers who maintain it as a kind of volunteer, miniature museum to Joyce, to Old Dublin and to the chemist shops as they once were. The volunteer behind the counter said a group gathers there several nights a week to read the works of Joyce --- a section of Ulysses, a section of Finnegan’s Wake and so on – and then all go out for a pint at one of the local pubs, also looking very much as they did centuries ago.

On the counters lie books of many Irish poets and authors, and all along the walls sit the same bottles as fifty or a hundred years ago – lovely crafted, grooved and embossed glass with labels like “Spirit of ammonia,” “Liquor of digitalis” or “Essence of mercury.”

“The ones with the grooved sides are the poisons,” the man said. “They had to go to the cellar with a candle, and pick a bottle in the near-darkness, so they needed to know poisons at a touch.” 


Wednesday 8 October 2014

Dairy boys

In 1978, Irish radio interviewed a man who grew up in a Dublin dairy, in a family whose daily routine was ruled by the needs of cattle udders and local babies. About his early life in the 1930s and 40s, he said:

"The noise of wheels on cobbles, the crunch as it turned to clay outside our lane, the sound of the tumble churn, the jingling of harness, hobnail boots, the smells of horse sweat, cow dung, new milk, wet grass, sour milk, buttermilk, bacon and porridge.

Our house was like a railway, people coming and going at all times ... Even when someone died the blinds were drawn but the door stayed open. The 'boys' who did the milking were kings of the neighbourhood, all wearing the same clothes like a uniform."

Photo: Boys gardening in an Irish school, courtesy of www.irishhistorylinks.com

Tuesday 7 October 2014

Vertical gardening

This article originally appeared in the Kildare Nationalist newspaper, County Kildare, Ireland. 



Most of us would like to grow some of our own food, for several reasons. For one thing, we wouldn’t waste our precious fuel supplies bringing apples in from New Zealand. We’d be able to select crops and breeds suitable for our climate, rather than have every apple in stores from California to London be the same few breeds chosen for long shelf life. Finally, we’d have the best-tasting and healthiest kind of food, food that doesn’t know it’s dead yet.

Most of us, however, have only limited space. Many of us live in estates or other such houses with small gardens, surrounded by walls or fences that limit light and warmth. Our towns are a maze of similar walls – the sides of houses and sheds, stone garden walls, wooden fences and other such boundaries, and we each live on a small plot in the middle of the maze. What could allow many of us to grow more food, however, is to think of the third dimension when planning our garden, and to emphasize crops that climb up.

Vertical gardening could be done with many of our human-made structures. Your house or apartment building has sides, as do your sheds, shops, schools, churches and highway overpasses. Not far away you likely have telephone poles, fences, walls, signs, gates and, of course, trees, any of which might be covered in productive garden plants.

Beans and peas might make a good start – they grow easily in many temperate regions, make beautiful flowers, add nitrogen to the soil, and offer a high-protein, easily stored crop. Tomatoes and cucumbers climb up sticks, although they like some warmth, and depending on your situation might need a poly-tunnel, or might do fine with just a south-facing wall.

Japanese wine-berry has both looks and edible berries, as do grapes – if you can grow them here – and kiwis. Roses other thorny plants not only provide shoots, flowers and fruits, but a natural security fence against human or animal intruders.

If you want to give this a go, first pay attention to what kind of climber you have. Some, like ivy, sink their roots into bark or masonry, and should probably have a trellis if you are putting it on the side of your house. Roses and other scramblers, which have hooks or thorns that latch onto other plants and allow them to pull themselves upwards, would also require support. Twiners like wisterias twist their tendrils around trees and other structures, while beans whip their shoots around looking for something to latch onto.

The hedgerows that line the countryside are a good example; they might serve first as boundary lines between fields, but they can be as productive as the fields themselves – and in all seasons, not just at harvest time. Hawthorn shoots and dandelions for salads and nettle and bramble shoots for tea in springtime, then linden leaves, then elderflowers, then rose hips and blackberries, with sloes going into winter.

Such hedges of climbing plants add variety to fields that would otherwise go sterile. Each plant adds its own chemicals and removes its own nutrients from the soil, so fields of monoculture need to be continually fertilised. Single crops provide our bodies, too, with a single set of nutrients, and only at certain times of year. They also encourage a glut of certain animals, like pests that eat our crops, and offer no homes to the birds and insectivores who would eat the pests. 

Boundaries like hedges offer fields a needed balance, a wild river through human land that can soak up our excesses and give us a reservoir of food and fuel for lean times.

Sunday 5 October 2014

Interview at C-Realm podcast

If you look at the little blogroll down the side of my web site, you'll notice that they seem an unusual mix. Some, like the Archdruid Report or the Automatic Earth, write detailed epistles on the future, examining what current trends mean to the world we or our children might see someday.

Others, like American Conservative, Imaginative Conservative, First Things or Front Porch Republic, are thoughtful and intelligent political publications. Still others, like Orion, contain some of the best writing on ecology.

Grit is a farming and homesteading magazine, Mother Earth News focuses on sustainable living, and I read Dragon's Tales just for some of the most entertaining new scientific papers. Some of them simply focus on simple living, one of the best kinds of activism around.

From all this, you can guess that I don't ally with people simply because they tick the same political or religious box that I do. I'm more interested in listening to people who try to understand some of the global problems we face, who are doing something to make their corner of the world better in some way, and who are of all backgrounds, countries, political bents and religions. I want to hear ideas I haven't heard before, and to build bridges with other people who understand that we're all in this together.

I also like listening to other people who do the same, and one podcast in particular does that consistently - the "C-Realm," which I have listened to for seven years. The show's host, KMO, features authors I've often enjoyed -- Charles Mann, John Michael Greer, James Howard Kunstler, Derrick Jensen and Dmitri Orlov -- and introduced me to many more. An episode might feature a podcaster like Jordan Harbinger or Frank Aragonna, a blogger like Chad Hill of the HipCrime Vocab, an economist like Ilargi or a minister like Oren Whiddon -- and all those examples are from the last six months. KMO demonstrates that one man with a microphone and a phone can create more thought-provoking shows than most radio networks.

Now, he's featuring an interview with me, over the article I wrote for the American Conservative about the riots in my old neighbourhood of Ferguson, Missouri. Check it out.


Photo: Ferguson protests, courtesy of Wikipedia.

Wednesday 1 October 2014

New article at Mother Earth News

Most of you reading this are familiar with author John Michael Greer, whose influence I've cited and who I spent time with in London earlier this year. Most of you also know that I write a regular column for Mother Earth News, one of the best resources for homesteading and traditional crafts.

Now you can get both in one, for Mother Earth News has generously published my review of JMG's science fiction novel Star's Reach, a portrayal of an America transformed by centuries of declining energy and changing weather. The magazine prefers that I not duplicate content, so I'll just excerpt the first paragraphs:

Just for a moment, picture the future. Not your future - not this year’s harvest or your daughter’s graduation -- but The Future.
You remember The Future; you’ve been seeing it all your life. If you were a teenager in the 1990s you remember the flying cars and giant holograms of Back to the Future II, set in the impossibly distant 2015. If you were a kid in the 1960s you probably remember the talking robots and interstellar travel of Lost in Space, set in the faraway 1990s. Similar-looking sci-fi fantasies date back to the 1800s, always looking about the same, and always just a few decades away from whenever Now was.

These examples are fiction, of course, but they reflected what serious pundits predicted in publications like Life or Popular Mechanics – one day, they promised, we would all live in domed cities, swallow pills for food and take moon vacations. For generations of boys it gave science fiction an almost religious gravity; we weren’t likely to grow up to be actual cowboys or pirates, but for a time it seemed like we would all be astronauts. Real technology got fancier, of course, so now we download music files instead of spinning records, and drive cars that … um … have more cup-holders than cars used to. The really important changes never happened, though; no androids, no jetpacks, nothing. We never got to Mars, or even went back to the moon; there’s just not much there to see. For generations that future was always right around the corner, and we’re beginning to realise that it always will be.

As more people grew disillusioned with hi-tech utopias – either because they didn’t think we were going to achieve it, or because they didn’t want it – science fiction offered the other extreme of total apocalypse. It’s also a fantasy, in its own way: a war, disease or some other catastrophe wipes out everyone but you and your friends, you get everyone’s stuff, and everyone wishes they had listened to you. Also, just like utopia, doomsday was going to happen any minute now, and never quite got here.  
 Check out the rest here.